The Christian Martyrs' Last Prayer
Dublin Core
Title
The Christian Martyrs' Last Prayer
Subject
An artist's rendition of the Christians to the lions in the Coliseum.
Description
William T. Walters commissioned this painting in 1863, but the artist did not deliver it until 20 years later. In a letter to Walters, Gérôme identified the setting as ancient Rome's racecourse, the Circus Maximus. He noted such details as the goal posts and the chariot tracks in the dirt. The seating, however, more closely resembles that of the Colosseum, Rome's amphitheater, in which gladiatorial combats and other spectacles were held. Similarly, the hill in the background surmounted by a colossal statue and a temple is nearer in appearance to the Athenian Acropolis than it is to Rome's Palatine Hill. The artist also commented on the religious fortitude of the victims who were about to suffer martyrdom either by being devoured by the wild beasts or by being smeared with pitch and set ablaze, which also never took place in the Circus Maximus. In this instance, Gérôme, whose paintings were usually admired for their sense of reality, has subordinated historical accuracy to drama.
Creator
Jean-Léon Gérôme
Source
W. M. Brady & Co, New York, in "Drawings and Oil Sketches 1700-1900," 27 January 2009 - 12 February 2009, No. 21
Date
1863-1883
Rights
Public Domain
Files
Collection
Citation
Jean-Léon Gérôme, “The Christian Martyrs' Last Prayer,” Public Works of the Roman Empire, accessed May 12, 2024, https://romangarumtrade.omeka.net/items/show/46.