The Christian Martyrs' Last Prayer

Dublin Core

Title

The Christian Martyrs' Last Prayer

Subject

An artist's rendition of the Christians to the lions in the Coliseum.

Description

William T. Walters commissioned this painting in 1863, but the artist did not deliver it until 20 years later. In a letter to Walters, Gérôme identified the setting as ancient Rome's racecourse, the Circus Maximus. He noted such details as the goal posts and the chariot tracks in the dirt. The seating, however, more closely resembles that of the Colosseum, Rome's amphitheater, in which gladiatorial combats and other spectacles were held. Similarly, the hill in the background surmounted by a colossal statue and a temple is nearer in appearance to the Athenian Acropolis than it is to Rome's Palatine Hill. The artist also commented on the religious fortitude of the victims who were about to suffer martyrdom either by being devoured by the wild beasts or by being smeared with pitch and set ablaze, which also never took place in the Circus Maximus. In this instance, Gérôme, whose paintings were usually admired for their sense of reality, has subordinated historical accuracy to drama.

Creator

Jean-Léon Gérôme

Source

W. M. Brady & Co, New York, in "Drawings and Oil Sketches 1700-1900," 27 January 2009 - 12 February 2009, No. 21

Date

1863-1883

Rights

Public Domain

Files

xtianstolionsGerome.jpg

Citation

Jean-Léon Gérôme, “The Christian Martyrs' Last Prayer,” Public Works of the Roman Empire, accessed May 12, 2024, https://romangarumtrade.omeka.net/items/show/46.